In this imagined seventh season of How to Get Away with Murder, we pick up five years after the events of season six. Annalise Keating has retreated from public view, teaching a small class in a modest law school, grappling with her legacy and haunted by the lives lost along the way. The world has moved on, but the shadows of old sins linger.

The new season opens with an unexpected twist: one of the original “Keating 5” students—Connor or Michaela—receives a cryptic letter, implying someone they believed dead or gone is still alive and seeking retribution. This revelation forces the group to reunite, even though many have tried to distance themselves from the past. The personal stakes are high: children, careers, and fragile relationships all hang in the balance.

As the plot unfolds, old alliances shift. Annalise finds herself torn between protecting her former students and facing consequences she long evaded. Flashbacks reveal unseen moments from earlier seasons, giving fresh insight into loyalties, betrayals, and regrets. The legal cases they tackle mirror their inner turmoil—defending clients under impossible odds, discovering evidence that challenges ethics, and confronting systemic injustice.

A recurring thread involves a mysterious murder that mirrors one of their past cover-ups. The group suspects that someone from their circle—or someone connected to Annalise’s long history—is orchestrating events behind the scenes. Tegan resurfaces, with conflicted motivations: is she an ally or adversary? Ghosts from Frank or Bonnie’s past emerge, reopening emotional wounds. Meanwhile, Connor and Oliver’s relationship is tested by secrets from his incarceration, Michaela wrestles with guilt over choices she once made, and Annalise must decide whether to reclaim her mantle as defense attorney or walk away forever.

In the climax, the conspirator’s identity is revealed—someone they least expected, perhaps someone presumed dead or powerless. It becomes a courtroom showdown of personal stakes: each character faces moral judgment, not just from the legal system but from themselves. In the end, not everyone survives, and not everyone gets away with everything. But some find redemption, others find punishment, and some find closure.

Ultimately, this imagined season emphasizes that crimes have consequences, and redemption, though hard-won, remains possible. Annalise’s legacy endures not just in courtrooms or headlines but in the lives changed—some healed, some broken—by her influence. In this “season 7,” How to Get Away with Murder reaffirms that justice isn’t just legal, but moral—and that sometimes the hardest verdict is the one we render on ourselves.

If you like, I can polish this into a “realistic season pitch” in 400 words or adapt it more dramatically. Do you want me to write that?