In “Haul Out the Halloween,” the familiar, picturesque street of Evergreen Lane—long celebrated for its extravagant Christmas displays—is suddenly transformed into a Halloween spectacle. The story opens with longtime residents Emily (Lacey Chabert) and Jared (Wes Brown) returning from their honeymoon only to discover that the quiet Halloween tradition on their block is about to be turned on its head. When new, famously spooky neighbours Luna (Kimberly J. Brown) and Marvin (Daniel Kountz) move in and begin decorating in over‑the‑top fashion, the homeowners’ association (HOA) decides to embrace the change by launching “EverSCREAM Lane” – a neighbourhood‑wide Halloween celebration and charity fundraiser.

As the street transitions from twinkle lights and wreaths to jack‑o’‑lanterns, cobwebs and haunted carnival games, the community is energized by the competition of spooky decor, neighborhood contests and a fundraising event aimed at supporting a local charity. Emily, initially hesitant and mindful of the street’s tradition and her grandmother’s memory, finds herself slowly drawn into the Halloween spirit as she reconnects with her childhood love of the holiday and the memories she shared with her late grandmother.
Underneath the fun and laughter, though, the film explores themes of change, grief and tradition. Jared’s role as head of the HOA and his adherence to rules is confronted by the enthusiasm of the new neighbours, and Emily’s emotional journey becomes one of rediscovering joy and letting go. The shift from Christmas to Halloween on Evergreen Lane mirrors the characters’ transitions: from past comforts to new adventures, from rules to creativity, from holding on to opening up. The neighbours must negotiate these changes, balance what the street has always been with what it can become, and support each other in the process.

Visually, the movie maintains the warm hallmarks of a family‑friendly holiday film but with a Halloween twist. Colour palettes shift from reds and greens to oranges, purples and blacks; practical decorations—haunted houses, glowing pumpkins, costumed carnival rides—are layered with comedic hijinks rather than horror. The tone is playful rather than scary: as actress Ellen Travolta said, “It’s fun to do a Halloween movie that isn’t scary.” This makes the film suitable for families, capturing the joy of community, creativity and the changing seasons.
The film’s cast brings both familiarity and fresh energy: returning characters from the “Haul Out the Holly” series anchor the story—Melissa Peterman, Stephen Tobolowsky, Ellen Travolta among them—while the arrival of Kimberly J. Brown and Daniel Kountz adds a fun nod to classic Halloween‑themed cinema fandom. Their dynamic helps ground the film in community and celebration, emphasising that holidays don’t have to look the same every time—they can evolve. Ultimately, “Haul Out the Halloween” delivers a comfortable, charming tale of neighbours coming together, embracing change, and finding joy in the unexpected.





